Community Bank Port Lincoln branch manager, Prue Hywood, presenting $8,500 Major Award to Megan Roodenrys for “Fresh Catch”. Image courtesy Dodd Life Photography
ABOUT THE ART PRIZE
The Bendigo Community Bank Port Lincoln Art Prize exhibition is an annual event open to all Australian residents. The Port Lincoln Art Prize provides a prestigious competition for the many artists who enter and the opportunity to have their efforts publicly acknowledged with the chance to win cash prizes.
The annual Port Lincoln Art Prize commenced in 2008 and has grown and developed into a significant award and exhibition for the region attracting artwork from Australia wide.
Entries are invited from local, South Australian and interstate artists, working in any 2D and 3D mediums other than photography.MEET THE JUDGE
2025 Art Prize Judge Melinda Rankin presenting Merit Award to Jenna Richards for “Galinyala Wardarnarri”. Image courtesy Dodd Life Photography
Melinda Rankin has extensive experience managing arts and cultural facilities in regional South Australia. As Director of Fabrik Arts + Heritage in Lobethal, Melinda is responsible for the development of a textile-focused arts and cultural hub, in the state-heritage listed Onkaparinga Woollen Mill precinct. Prior to working at Fabrik, Melinda spent seven years as Director of the Murray Bridge Regional Gallery, and five years as Director of the Hahndorf Academy, hosting exhibitions from national and state collecting institutions and working with leading South Australian artists.THANKYOU TO OUR SPONSORS
SUPPORTING THE VISUAL ARTS ON A LOCAL (EYRE PENINSULA) AND NATIONAL SCALE
AWARD WINNERS
Megan Roodenrys, Fresh Catch, Oil on polycotton, $6,000
“This work is a study of fresh seafood in a fish factory in Port Lincoln. It is inspired by John William Lewin’s “Fish Catch and Dawes Point, Sydney Harbour” c.1813, a still life held in the AGSA.”
Javier Garibaldi, Mermaid Pose, Stone Sculpture, $2,900
““Mermaid Pose” captures the flow of natural erosion while resembling someone in deep contemplation. Carved from basalt with a contrasting tuff base, it combines strength and calm, reflecting the layers of volcanic landscapes and the quiet beauty of contemplation.”
Bob Ramsay, Pareidolic Rockscape, Pencil & watercolour, $6,000
“A previous, smaller scale painting of this rock at Louth Bay found that the surface micro-patterning was conducive to pareidolic interpretation – i.e. the recognition of faces, animals and other known shapes. This phenomenon is heightened at the larger scale, where over 45 human, bird, and animal-like shapes can be found. Some of these shapes have been enhanced for effect.”
Kenisha Bilney, Boodlanbi Moori, Acrylic, $300
“My painting is about my Barngarla family. I used symbols from the Barngarla language to represent the subject matter. The stars with dots represent my elders who have passed. The centre is the meeting place, purple arches are the women, blue circles are the men. The coloured tracks connect Pt Lincoln-blue, Whyalla-green & Pt Augusta-yellow. Purple dots on white lines are Barngarla Children. The brown circle on the bottom are elders passing down the language. The white circles are waterholes. The circle of purple people is 2 men having a yarn. I have added serpents from the Barngarla dreaming stories. I chose to add dots throughout to represent my culture & people. I’m proud of this painting, and hope to continue representing my Barngarla culture through my art.”
Lainey Parker, Shared Joy, Watercolour & acrylic, $115
“I was drawn to paint this lady as she radiated warmth and joy.”
Jenna Richards, Galinyala Wardarnarri, Ink & acrylic on canvas, $3,500
“Jennas painting captures the essence of the seascape of Galinyala showcasing the rich diversity of marine life beneath the surface. It highlights the stunning array of underwater creatures and emphasizes the vital importance of marine ecosystems, their intricate balance, and the interconnections between organisms, their environment and human activity. It serves as a powerful reminder of the delicate relationship between nature and people, particularly the Barngarla people’s deep connection to their country, seas and waters. ”
Emmerson Hodgson, SASY, Paint and pen, $220
“Emmerson submerges herself in Art to escape the fast pace that teen life can bestow. She starts with a blank canvas and from there she creates pieces that develop into an expression of her day and the challenges faced.”
Marni Tiller, Pretty in Pink, Pencil, watercolour & ink, NFS
VIRTUAL GALLERY
Youth Category
Alexa Cheyne, Sea Forest, Mixed media, $220
“When creating this piece of abstract art I absorbed inspiration from the salty sea. It is constructed using paper cut outs overlaid with acrylic paint, creating a variety of textures. I hope my piece takes you to a place of calm.”
— Alexa Cheyne
— Jasmine Tiller
Jasmine Tiller, Perspectives, Acrylic, $500
Lainey Parker, By the Bay, Acrylic, $150
“This is my interpretation of a tranquil day by the bay.”
— Lainey Parker
Emmerson Hodgson, Pink Falls, Paint & pen, $130
“Emmerson submerges herself in Art to escape the fast pace that teen life can bestow. She starts with a blank canvas and from there she creates pieces that develop into an expression of her day and the challenges faced.”
— Emmerson Hodgson
Open Category
Carmen Richardson, Spring Memories, Stirling Ranges WA, Pastel on pastel mat, $800
“I painted this scene to show my joy of the natural beauty of this region and being able to walk through it to admire the variety of the landscape and the life upon it. While painting I relive the wonderful experience I had.”
— Carmen Richardson
Anne-Marie Broughton, Green Mermaid, $950
“In the green depths
She dreams
amongst the kelp and grasses
A leafy sea dragon floats gently and the light filters down
in the shadows
of the sea.”
— Anne-Marie Broughton
Annette Kelson, Boston Beam, Mixed media, $350
“Living in Port Lincoln, I am surrounded by breathtaking views and moments that inspire. Whether waking up at home, on the drive to work, or walking after hours, the coastal environment is a constant presence. I have concentrated on the intricate layers that form a single view, exploring texture, colour and pattern. By employing a mixture of media, I aim to capture the essence of natural details, intertwined with subtle human presence”
— Annette Kelson
Apples Kemp, Gossip Session, Acrylic, $375
“Cape Barron Geese fly over our home in the morning to the swamp, then fly home to the islands, in the evening. Always in pairs, as they mate for life and this is why I painted this picture because they are always honking as they fly over and who knows what they are saying. The last goose is looking for her mate in the sky, he's late for the Gossip Session.”
— Apples Kemp
Apples Kemp, Incoming, Acrylic, SOLD
“I am loving our seachange after moving from Alice Springs to Pt Lincoln. The Pelicans are a pleasure to paint and have a lot of character and balance on those boat ramp lights.”
— Apples Kemp
Cait Wait, Homefire, Oil on canvas, $2,200
“HOME FIRE has an aura of 'magic realism' in its subject and figurative style. It embodies the timelessness of starry nights, ocean, fire and 'belonging'.”
— Cait Wait
CherylAnne Brown, Yakka, Oil on canvas, $1,800
“Xanthorrhoea is a uniquely Australian plant. They are very slow growing and some elderly specimens are among the oldest living plants in the world. A plant with a metre-long trunk may already be 100 years old. These plants were a source of food, drink and building materials. Each tree is totally unique and proudly displays its history in its shape.”
— Cheryl-Anne Brown
Christie Pope, Whispers of Heritage: Lost Voices, Acrylic, $1,500
“This piece reflects the powerful narrative of over 22,300 Aboriginal and Torres Strait children in out-of-home care as of 2022. The centre represents the community with 22,300 painted lines representing the children. We make up 40% of children in care yet only 6% of the population. As a proud descendent of a Wiradjuri man, it embodies a poignant connection, echoing lost voices and enduring strength. A tribute to Culture, resilience, and the urgent call for understanding and change.”
— Christie Pope
Dave Trengove, This is My Land. My Home, Acrylic on canvas, $1,500
“Earlier this year Kerri and I were visiting Koonalda Station in the far west of South Australia. I had worked there in the early 70s and decided to see if it was as special as I remembered. While driving on the old Eyre Hwy, we took a side track. Along there we came across three dingoes. One, the leader, was old and quite light coloured. It was followed by a smaller brown and another lighter coloured one. They watched us until we moved on. We were just visitors, this was their land.”
— Dave Trengove
Donna Legovini, Island Hopping, Oil/acrylic on metal/wood, $2,400
“This work celebrates boats and the many functions they serve in our lives. As transport from one land mass to another, a means of catching food, pleasure seeking, transporting freight etc. The Tacoma, built and owned by the Haldane family, was one of the first tuna boats in the Port Lincoln fishing fleet. The SV Olivebank was the windjammer that Axel Stenross sailed on from Norway to Port Lincoln before permanently residing here. Tuna fishing has had a significant impact on Port Lincoln's development as has the presence of boats in all their forms.”
— Donna Legovini
Donna Legovini, Persian Gold, Oil on canvas, $850
“A passion for Persian carpets, fresh locally grown flowers and all things gold was the inspiration for this piece. The objects all have sentimental value, being gifted by family members or friends, whilst the beautiful spring Bouquet , grown in the growers backyard, was given to me as a thankyou for judging a local art prize.”
— Donna Legovini
Eleanor Coleman, Washed Ashore, Acrylic on canvas, $2,800
“The constant in and out of the tide flowing many colorful Shells on our shores, that put a mass of colour on our beaches. Collecting these shells many a times, that i just needed to paint them for people to see and share their beauty.”
— Eleanor Coleman
Elizabeth Hammond, Untitled, Mixed media, SOLD
“I recently travelled to Namibia and was struck by the stark and monumental landscape. I filled 2 sketch books, sketching daily as we travelled through this country. This painting is a combination of those drawings and colour memories all thrown in together.”
— Elizabeth Hammond
Ella Boylan, Fallen Stars, Acrylic on canvas, $8,750
“My name is Ella Boylan. I am a mother and contemporary landscape artist in Port Lincoln, South Australia. Born and raised on the Eyre Peninsula, I loved to be outside as a child and have always had an affinity with the vast and rugged landscapes that underpin life in South Australia. This piece pictures the Pilbara, WA. My family and I spent 6 months travelling WA last year. I painted this piece with the memory of dingoes howling through the night, the crispness of the air and the crackle of our camp fire in mind.”
— Ella Boylan
Emma Fuss, Cat in the Coffee Shed, Oil on panel, $2,500
“A portrait of my friend Cat, owner of the local coffee business Eyre Roasted. The coffee shed is usually a busy, productive place, but I wanted to capture Cat in a moment of quiet contemplation.”
— Emma Fuss
Emma Trenberth, Murray River Dreaming: Waiting for First Light, Multimedia, $600
“Local Mixed Media Artist.”
— Emma Trenberth
Emma Trenberth, Life Cycle of a Jetty, Acrylic, $600
“Local Mixed Media Artist.”
— Emma Trenberth
Emma Waters, Christmas Morning, Acrylic, $1,650
“As a child Christmas always entailed different seafoods. I have tried to capture the rush on Christmas morning as all the seafood begins to thaw and the excitement for the feast starts to set in. Everybody is running around forgetting small things and the ice thaws rapidly in the summer heat. Absolute happy chaos.”
— Emma Waters
Hannah Goldfinch, Girl, Ink and paper, $850
“This painting depicts a girl with her back turned to the viewer, leaving her identity open to interpretation. The vibrant, bright colours surrounding her create a striking contrast and the use of bold expressive strokes highlights her isolation, yet the vivid hues seem to suggest a world of possibility and depth, inviting the viewer to imagine her story.”
— Hannah Goldfinch
— James Pedler
James Pedler, King Honeyeater, Spray paint, $1,875
Jane Andrew, Memory Lane, Acrylic on canvas, $390
“When my children were small they caught the school bus at this stop. In the afternoon I watched the bend, waiting for the bus to come through the gap and down the hill. Now another family use this bus stop and make memories too.”
— Jane Andrew
Jane Morris, Earth Beneath my Feet, Acrylic, $750
“This abstract work celebrates the fascinating world of fossils. Dickinsonia; the large disc shaped fossil dates back to over 500 million years.The Trilobite at the bottom of the painting looks a little like fish bones, it dates back over 300 million years.The Spriggina was first discovered in 1957 in the Flinders Rangers and dates back over 550 million years. It has not been found anywhere else in the world.”
— Jane Morris
Jane Morris, Forest Bathing, Acrylic, $350
“The title Forest Bathing has been taken from the Japanese practice of spending time in the natural environment such as a forest. The process of slowing down, observing nature in calm and quiet is good for the soul.”
— Jane Morris
Janine Gray, Ceduna & Surrounding Towns, Acrylic, $1,650
“This painting represents me being born at Koonibba, living there and then living around other communities near Ceduna & Surrounding towns, which I've called it. The circles represent the homelands, communities around everywhere the warm earthy tones using tradition dot painting. We have the blues and greens for the water we live around. Sharing, connecting, living around the land.”
— Janine Gray
Jennifer Growden, Garden at Koppio, Oil, $400
“Garden at Koppio is a representative image in oils of early spring with bursts of yellow daffodils and wattle, greens still verdant with the promise of more delight to come before the onset of summer.”
— Jennifer Growden
Joelle Hefron, Shadow, Mixed media, $999
“On your journey to your soul, you meet your shadows.
Under the layers.
Your core is there.
Colours change as you go black to purple.
Orange to blue. Red to pink.
As you let go.
The more of you, you find. ”
— Joelle Hefron
Joelle Hefron, Soul, Acrylic, $999
“A journey inwards. Life is Art.”
— Joelle Hefron
Jos Geelen, Giant Cuttlefish, Ink and graphite, $300
“A different perspective of Whyalla's giant Cuttlefish. I am trying to capture the magic of these creatures without the usual colour.”
— Jos Geelen
Jos Geelen, Galloping Horse, Ink, $300
“I was keen to draw this image using the finest size pen I could find , in order to capture the detail on the face and the muscle tone on the body, having never tried this.”
— Jos Geelen
Josephine Lennon, Paper Daisy, Acrylic, $1,850
“This painting represents the beautiful country in the Gawler Ranges. We like to travel back roads to Coober Pedy and here we see all the Wild flowers, bush animals and beautiful country. I like to show the grandchildren the country when we go see the family these are the beautiful paper daisy's growing.”
— Josephine Lennon
Julie Aldridge, Topsy-Turvy Tower, Pottery, $190
“I am exploring the medium of pottery, I am intrigued by all forms of art and always trying new things. I hope this will be the first of many totem pieces.”
— Julie Aldridge
Julie Corfe, Harmonic Philosophy, Oil on canvas, $10,000
“Amanda Lumsden is an accomplished musician and conductor of InU Acappella Choir. Dr Lumsden is also a Research Fellow at the University of SA, currently working on large scale epidemiology projects associated with dementia. ”
— Julie Corfe
Jenni Wilson, View with a Room, Acrylic, $300
“The play of light in the room
The glistening water
Summer
A view
With a room..”
— Jenni Wilson
Will MacGregor, Waiting, Oil, $6,500
“WAITING: This piece conveys something of my experience from a lifetime of living and walking alongside Indigenous Peoples.”
— Will MacGregor
Karina Elson, I Wonder, Acrylic on canvas, $375
“I Wonder...
Thinking, daydreaming, wondering about far away and exotic countries and cultures. Perhaps what could be, or could have been. Possible, or maybe missed, opportunities. Life is so brief. Have no regrets. Grab what you can when you can, and go for it!”
— Karina Elson
Larissa Rogacheva, Moored, Watercolour, $350
“Ropes and chains of our connection to the sea.”
— Larissa Rogacheva
Larissa Rogacheva, Coffin Bay Beauty, Watercolour, $850
“This is a portrait of one of the dearest and most fascinating creatures we encounter in our lives. I attempted to make my admiration visible indeed.”
— Larissa Rogacheva
Lea Jericho, Opt Out, Acrylic on Canvas, $5,400
“As a self taught artist, I take my inspiration from the nature around me and the beauty of everyday. I watch the birds and animals with their behaviour in daily routines, which provoke my thoughts on what they are actually hunting and their precision techniques. Their perfect vision, especially with those who have blended within their environment. It then, in turn makes me wonder about the hunted, how quickly they react, and their agility and speed in which they escape, all whilst they too are hunting for smaller prey!”
— Lea Jericho
Leith O’Malley, Edward John Eyre, Oil on board, $2,700
“Over the last few months I’ve been reading a fascinating book titled Eyre the Intriguing Explorer written by Ivan Rudolph. The book is based on Eyre’s journals of exploration during 1830 and 1840 particularly in South Australia, the state where I reside. This book, and the realisation that Eyre helped forge so much of South Oz, inspired me to paint his portrait in my own particular style.”
— Leith O’Malley
Luke Marshall, Eternal Protector, Oil paint, $399
“Boston Island always feels like a protector, a wise old being looking over the town and coast offering protection. The frame is handmade using reclaimed Jarrah.”
— Luke Marshall
Martin Van Rooijen, Rollercoaster Symphony, Wood & copper, $850
— Martin Van Rooijen
— Martin Van Rooijen
Martin Van Rooijen, The Flying Dutchman’s Figurehead meets Kraken, Wood & acrylic paint, $8,500
Mechelle Dutschke, Irises, Oil, $650
“I was inspired to paint Irises with their stunning colour variations that are found in my garden. Shimmering delicate petals belie the tough, hardy plants that survive in dry conditions. Blending into the background for most of the year until they flower, irises reveal their alluring hues.”
— Mechelle Dutschke
Naoko Suguro-Keane, Seventeen, Acrylic & paper, $1,200
“‘17’ is about my daughter as she stands on the edge of growing up, caught between being a teenager and an adult. The painting shows her surrounded by butterflies, which remind me of how much she’s changing and growing. They represent how delicate and beautiful this time in her life is. Her face shows a little uncertainty about what’s ahead, but there’s also hope. I used soft, flowing brushstrokes to show how fleeting these moments are. This painting is my way of capturing her at this stage, a tribute to her journey and the person she’s becoming.”
— Naoko Suguro-Keane
Natalie Austin, Fire in the Stone, Acrylic, $1,640
“Fire in the Stone, represents the colors of Opal Red, orange, purple colors looking down at Opal stone.”
— Natalie Austin
Nellie Jones, Something in the Red, Pencil and gouache, $1,350
“Nothing brings more comfort than fresh cut flowers, riding the waves of your life whether that be grief, celebration or just because flowers.”
— Nellie Jones
Nellie Jones, Innerbloom, Pencil and gouache, $1,650
“Innerbloom reflects the essence of the renewal of spring and invites you into a space for embracing the vibrant potency, beauty and inner bloom this season brings for all that lives on this land.”
— Nellie Jones
Nola Samuel, Waterlily, Thread, $150
“This water lily is created by stitching individual petals onto water soluble fabric and when washed away, it creates each part of the flower and leaves.”
— Nola Samuel
Nola Samuel, Dragonfly in my Garden, Glass, $750
“This is a 3D sculpture using glass and repurposed glass objects.”
— Nola Samuel
Olivia Flaws, Chillies, Acrylic on canvas, $250
“I was making chilli oil and enjoyed the different shape of each chilli, I arranged them onto a page and painted them with a simplistic style.”
— Olivia Flaws
Pam Diment, No Name, No Place, “Rockhole”, Ceramic, $660
“This pottery handmade represents over the years I have been very privileged to participate in many women's cultural trips. I’ve been influenced by the environment and special places that I have been privileged to see. This bowl represents a very special and important Rockhole. I am very conscious of cultural practices and protocol and so this is my interpretation of this amazing Rockhole.”
— Pam Diment
Peter Surguy, Rising, Acrylic on canvas, $1,800
“Seeking a moment in silence of colour, light and movement.”
— Peter Surguy
Peter Surguy, Crossing, Acrylic on canvas, $800
“Crossing. A Choice.”
— Peter Surguy
Rosii Pedler, Morning Glow, Oil, $420
“Morning Glow:
I am increasingly fascinated by the play of light and the layering of colours on top of each other showing glimpses of the background below. The further I investigate the more colour I see. This is a local Landscape ‘The Gap’. I am also intrigued with the amazing flora found on the side of the road. Colour is prolific everywhere!”
— Rosii Pedler
Roxanne Prime, Sunset at Bigswamp, Oil on canvas, $800
“Capturing the late light as it pierces the trees in Big Swamp.”
— Roxanne Prime
Roxanne Prime, Port Lincoln Jetty 1930’s, Oil on linen, $800
“I have been exploring historical photos. They are full of mystery as images are black and white, shapes are hard to interpret. I wanted to create a look like an overexposed and faded photo or hand tinted photo. To bring to life old images.
Image courtesy of the Port Lincoln History Centre Payze Shepherd Rosslyn.”
— Roxanne Prime
Sahara Spalding, Untitled, Acrylic on surfboard, $2,000
“The Oni mask from Japanese folklore is said to ward off evil spirits and protect the wearer during times of danger.
This is a Roger Mathews custom shaped board. (Fins are included).”
— Sahara Spalding
Sahara Spalding, Untitled, Acrylic on canvas, $650
“I was inspired by traditional Japanese paintings and tattoos.”
— Sahara Spalding
Sally Kunze, Canyon Meander, Acrylic, $2,200
“Location: Charles Knife Canyon, Exmouth WA
Subject: Steep canyon walls create a river when it rains. Distance, height/depth, texture & shadow are explored, including with some stuck-on materials. It was fun selecting ‘boulders’ of appropriate colour. Weather action carves some interesting rock shapes and landscape features. ”
— Sally Kunze
Sally Kunze, Arkaroola Tapestry, Acrylic, $2,000
“Location: Arkaroola SA
Subject: Dry hills & water-course. Painting three-dimensionality is enhanced by adhered materials. Vegetation types are portrayed in various ways. The actual sheoak leaves glued on, make the tree ‘live’. The foreground rock bands stand out with the stone chips applied. Details fade into the distance to create perspective.”
— Sally Kunze
Sandy Harder, Fuchsia Flora, Mixed media, $890
“I like to explore colour, line and shape by way of mark making. Sometimes I do this with my non dominant hand. I start with a contour line drawing, this way I am not too concerned about the likeliness of my object/subject, rather the expressive and impulsive marks to create an interesting and exciting piece of work.”
— Sandy Harder
Sandy Harder, Orange Floral, Oil and oil pastel, $890
“This piece started its life in Brisbane as part of a workshop with artist Skye Llewelyn. Emphasis is on the placement of colours, shapes and marks rather than painting each petal or leaf. Marks are carefully considered to take the viewer on a journey around the canvas.”
— Sandy Harder
Sarah Cavill, Lemon and Butterfly, Acrylic paint, $330
“A small abstraction of a lemon tree and a Monarch butterfly.”
— Sarah Cavill
Sarah Cavill, Lemon in the West, Acrylic paint, $330
“This artwork is about family coming together on Country. Its important to share Culture, Language, art and stories with our family and the younger generations so they can carry and learn to pass on and on with other family - younger generation.”
— Serena Gunter
Serena Gunter, Coming Together on Country, Acrylic, $1,000
“A small abstraction of a lemon tree and sunset.”
— Sarah Cavill
Sherrie Jones, My Mothers Country Spinifex, Acrylic, $2,682
“This painting represents 'Spinifex Country' in the Western Desert where my mothers family is from. This painting represents all the Country and the colors of the land. I've used different layers of the colors yellow ochre, red, white, brown, brown ochre, black and gold flakes (All Ochre Colors) - showing the desert when hot. This painting represents Strong Culture.”
— Sherrie Jones
Soni Lamond, Humbled by Country, Acrylic paint, $120
“When you stand on the precipice of the monumental cliffs that are the face of our middle south, after driving for days from the west across the Nullarbor, there is a sense of relief, of awe but also a deep humbling that this country holds us.”
— Soni Lamond
Steven Andrews, Teenage Hunter, Wood, $2,500
“Teenage hunter.
The base is Redgum, the head feet hands and spear are sheoak, the boomerang is Redgum, plus a kangaroo skin.”
— Steven Andrews
Steven Andrews, Boys will be Boys, Wood, $2,200
“Boys will be Boys.
Memory's as a child. The base is Redgum, the feet are Sheoak, the body is local Paperbark, the head is Mallee root , the cap is Ash.”
— Steven Andrews
Susan Tingay, Sundown in Trephina Gorge, Oil on Canvas, $2,400
“Capturing a moment near sundown in the spectacular parade of light and colour in the red gorges of Central Australia. The graceful River Gums turn blue in the encroaching shadows while their crowning canopy still sparkles in the sunshine.”
— Susan Tingay
Susan Tingay, Storm Brewing over Coffin Bay, Oil on Canvas, $2,400
“Inspired by the dramatic atmospheric effects of late afternoon sun glowing through gathering storm clouds from the west as strong winds whipped up waves in the previously peaceful bay. Shortly after, rain pelted down and I had to run off to find shelter!”
— Susan Tingay
Tania Kunze, Water and Sand Spiral Bowl, Pottery, $190
“This kick wheel thrown ceramic bowl was inspired by childhood summers digging in the sand, playing in the sea and walking along SA's amazing beaches. It is using a combination of three clay types, plus the form was distorted and carved while the clay was still wet.”
— Tania Kunze
Tania Kunze, Water and Sand Platter, Pottery, $200
“This kick wheel thrown ceramic platter, using a combination of clays is inspired by the movement, shape and colours of sand and water, and is reminiscent of many summer holidays on the beaches near Boston Bay spending time with family.”
— Tania Kunze
Todd Romanowycz, On the Backroads, Acrylic on canvas, SOLD
“An image created from observing the local areas where I live and work on the Eyre Peninsula!”
— Todd Romanowycz
Vicki Bosisto, Organ Pipes, Oil on board, $350
“The Organ Pipes, formed over 1500 million years ago, in South Australia’s Gawler Ranges stand as a testament to nature’s artistry. These towering red basalt columns, carved by volcanic forces and softened by time, glow vividly under the sun. Lichen and moss add delicate greens and golds, thriving in crevices alongside bursts of wildflowers. Light transforms the scene, deepening shadows and igniting the rock’s fiery hues. This formation is more than a geological wonder; it’s a sanctuary of enduring vitality and timeless awe.”
— Vicki Bosisto
Ross Challinger, Post Traumatic Stress Disorder, Sculpture, $900
“S SPECIALLY
C CONSTRUCTED
R RECYCLED
A ART
P PIECES
Scrap Art consists of taking that which society considers to be junk and repurposing it. My aim is to enable people to look at common objects in a different way, other that that which it was originally constructed for. ”
— Ross Challinger
Ross Challinger, Naked Invisible Man, Sculpture, $475
“The artist uses any one of 3 themes when constructing his creations:
1 Pure Art Pieces -For the viewers enjoyment.
2 Comedy-To leave a big as smile as possible.
3 Social Comment- To raise aware ness of issues.
The artist was once told that there is a fine line between Genius and Insanity. To which he replied “Yes, and I try extremely hard not to slip back into Genius.”
— Ross Challinger
Mark Newton, Turned Wood Bowl, Plywood, $80
“Created to see how plywood would turn on a lathe.”
— Mark Newton
Vicki Bosisto, Galinyala, Oil on Belgian linen, $650
“This painting envisions Galinyala, known today as Port Lincoln, as it might have looked in pre-colonial times. It reflects a deep nostalgia for the unspoiled landscapes of the past while celebrating the timeless beauty of this place.
I acknowledge the Barngarla people, the Traditional Owners and Custodians of Galinyala, Port Lincoln. I pay my respects to their Elders—past and present—and extend that respect to all Aboriginal and Torres Strait Islander peoples, whose Sovereignty was never ceded.”
— Vicki Bosisto
Yvonne Geelen, Leafy Sea Dragon, Watercolour, $400
“I wanted to create the feel of a wooden pylon under the jetty, growing life, and the fish that live there.”
— Yvonne Geelen
Yvonne Geelen, Under the Jetty, Watercolour, $600
“These little guys are very delicate and beautiful. I really wanted to capture the feel of their underwater environment and the colours that they are.”
— Yvonne Geelen
Cath Bury, Costa Garden Guru, Acrylic, $500
“I've always enjoyed the sensory experiences from plants and animals in the environment.
Emigrating to Australia in 1970 provided me with the opportunity to explore a new range of creatures and habitats. I feel driven to represent the world around me using a range of materials, wood burning, painting, sketching, wax melting on paper, canvas, wood, stones, eggs and whatever else! I have sketched and painted a few people over the years. It was a joy and challenge to capture the unique charismatic character we know as Costa.
His image lights up the page with a bright arch, playful bubbles, landscape and of course many plants.”
— Cath Bury
Amali Hirchausen, Meeting Place, Acrylic on canvas, $200
“This artwork shows four women sitting around a camp. They are surrounded by nature and it's paths that they travel through.”
— Amali Hirschausen
Carmen Richardson, Marvelling at Marble Ranges through Sheoak, Pastel on pastel mat, $750
“I promised myself I would paint this scene one day while I was admiring it from the Coffin Bay shore. I love looking at the changing colours and moods of the Marble Ranges. I tried to catch a clear blue day through the shadows of the Sheoak.”